Beats and Rhythms By Tina Whittle One of the things I enjoy most about talking to other writers is learning about their writing processes. We’re creatures of various habits, we writers. Some of us plot; some of us pants it. Some of us are morning writers; other are night owls. And some of us adore […]
Operation New Hope By Tina Whittle I’ve always been a sucker for a story with a happy ending. It’s one of the reasons I write mysteries – good triumphs over evil, and life returns to the sweetly normal. However, I didn’t expect to find such a powerful one in the Chatham County Detention Center. This […]
Musing on Muses by Tina Whittle Like most mystery writers, I grew up marinating my brain in unsuitable material— Edgar Allan Poe, The Nightstalker, the lurid photographs in my mother’s nursing textbooks. I whetted my appetite for the edgy and unsavory in every medium that the library and late night movies would allow, but I […]
Great White Shark by Tina Whittle In Blood, Ash and Bone, the third novel in my Tai Randolph/Trey Seaver series, I created a fictitious law enforcement agency, a task force collaboration between the Atlanta Police Department and the FBI. By the time the book was released, my pretend organization was real (it was called AMMO […]
Kennesaw Unconquered By Tina Whittle It’s always an odd feeling, when fiction and real life meet. It’s a crossroads moment – to the left, the world I created, with characters as I know as intimately as my own head. To the right, the world flowing under its own steam, with people of flesh and bone, […]
Cemeteries Rock By Tina Whittle I love strolling in old cemeteries. I suppose this shouldn’t be a surprise to anyone – I am, after all, a mystery writer, and I write a character who used to be a tour guide in Savannah graveyards – but my appreciation is occasionally met with a shudder from […]
Dealing Death and Demons and Star-Crossed Lovers Tina Whittle It’s one of my favorite pieces of writerly advice: Raymond Chandler’s observation that when things slow down, bring in a man with a gun. Which is not surprising. It’s an iconic image, a man with a weapon, layered with all kinds of subtle and not-so-subtle signals. […]
